When wifey hears that hubby's work is taking him to the Alps, she plans to tag along with family. Prem plans a trip to Switzerland where he can carouse in peace with Rupali. Only hitch is that Rupali is left in the dark about Prem's married status. Simple, via another song, Ishq sona hai, ishq chandi hai tossed in. And soon after, on a rainy night, Prem's car coughs and dies in the vicinity of Rupali's house. The decision also trips up a proposed marriage with her beau, a photographer (Saif Ali Khan in a special appearance).įocus shifts to the ad man's home where Prem belts out the title song, in praise of his spouse. The film actually kicks off showing Sushmita, a middle-class girl planning to DO something in life - and what better way than tramping down a ramp. That is when model Rupali (Sushmita) sashays into his den, fulfils the qualifications, and walks out with a three-year contract. Hubby Prem (Salman Khan), the owner of an advertising agency, balances accounts and tears out his hair because he can't find a model 5 feet 8 inch tall and who sports a figure admeasuring 36-24-36. Pooja spends her time stuffing fodder down the throat of her young and hauling them off to school. Karisma plays Pooja, a Bharatiya nari, complete with sindoor, Kanjeevaram sarees, and a mug that alternates between the bemused and the bewildered. That kind of lack of logic, disoriented narrative and nonsense is what you encounter in Biwi No 1, David Dhawan's latest film. It's like one of those psychedelic dreams: people come in and go out, say odd things, and flit away, insubstantial beings who leave only an impression of colour and confusion.
Rediff On The NeT, Movies: The Biwi No 1 review
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